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International Coffeehouses: Asian American Association
This guide will provide links to resources related to the countries featured in the International Coffeehouses.
The mission of the Asian American Association (AAA) at the University of Tennessee is to create a community in which students can celebrate their culture, discuss social-political issues regarding Asian Americans, underline the importance of diversity, inclusion and solidarity, and have an effective representation on campus.
AAA Membership Criteria
Membership to AAA is open to ALL students and faculty/staff members, where appropriate, regardless of race, gender, disability, religion, or national origin.
The Voice of Hope by Alan Clements; Aung San Suu KyiAung San Suu Kyi, Nobel Prize Laureate, mother of two, and devout Buddhist, is one of the most inspiring examples of spiritually infused politics and fearless leadership that the world has ever seen. Daughter of the martyred Burmese national hero who negotiated Burma's independence from Britain in the 1940s, Aung San Suu Kyi led the pro-democracy movement in Burma in 1988. The movement was quickly and brutally crushed by the military junta, and Aung San Suu Kyi was placed under house arrest. The Voice of Hope is a rare and intimate journey to the heart of her struggle. Over a period of nine months, Alan Clements, the first American ordained as a Buddhist monk in Burma, met with Aung San Suu Kyi shortly after her release from her first house arrest in July 1995. With her trademark ability to speak directly and compellingly, she presents here her vision of engaged compassion and describes how she has managed to sustain her hope and optimism.
Description: Interview with Aung San Suu Kyi - a historical political manifestation. Politics, democracy and human rights became her call in life, when she returned to Burma. Driven by her father's history as a known reform politician, she created a political party and won by a landslide election in 1992. She was shortly thereafter imprisoned and put in house arrest for what turned out to be 15 years. The feature offers an exclusive interview with Aung San Suu Kyi, which not only covers her personal and political fight for democracy, but also her personal costs. The feature also includes a unique reportage on young Burmesians fight against the regime, thirdly a reportage covering the consequences of the Western economical sanctions with ASSK featuring two leading politicians from the opposition, and fourthly a feature on the election and oppositional criticism on ASSKs party neglecting to run for parliament.
Myanmar (Burma) Country Profile
Pyihtaungsu Thamada Myanmar Naingngandaw (Republic of the Union of Myanmar)
This Academy Award nominated documentary shows a rare inside look into the 2007 uprising in Myanmar through the cameras of the independent, underground citizen video journalist (VJ) group, Democratic Voice of Burma. Risking torture and life imprisonment, the VJs vividly document the brutal and bloody clashes between protesters and the military and undercover police-even after they themselves become targets of the authorities. Through a dedicated network of supporters, they smuggled the footage out of the country, where it was broadcast via satellite to a world horrified by the violence against a people fighting for democracy.
Click the link to stream the documentary on Films on Demand.
E-Book from the UT Libraries Collection on Myanmar
Citizenship in Myanmar: Ways of Being in and from Burma by Ashley South (Editor); Marie Lall (Editor)Myanmar is going through a period of profound and contested transition. The country has experienced widespread if sometimes uneven reforms, including the start of a peace process between the government and Myanmar Army, and some two dozen ethnic armed organizations, which had long been fighting for greater autonomy from the militarized and Burman-dominated state. This book brings together chapters by Burmese and foreign experts, and contributions from community and political leaders, who discuss the meaning of citizenship in Myanmar/Burma. The book explores citizenship in relation to three broad categories: issues of identity and conflict; debates around concepts and practices of citizenship; and inter- and intra-community issues, including Buddhist-Muslim relations. This is the first volume to address these issues, the understanding and resolving of which will be central to Myanmar's continued transition away from violence and authoritarianism.
Call Number: E-Book
Publication Date: 2017-12-31
Everyday Economic Survival in Myanmar by Ardeth Maung ThawnghmungReforms in Myanmar (formerly Burma) have eased restrictions on citizens' political activities. Yet for most Burmese, Ardeth Maung Thawnghmung shows, eking out a living from day to day leaves little time for civic engagement. Citizens have coped with extreme hardship through great resourcefulness. But by making bad situations more tolerable in the short term, these coping strategies may hinder the emergence of the democratic values needed to sustain the country's transition to a more open political environment. Thawnghmung conducted in-depth interviews and surveys of 372 individuals from all walks of life and across geographical locations in Myanmar between 2008 and 2015. To frame her analysis, she provides context from countries with comparable political and economic situations. Her findings will be welcomed by political scientists and policy analysts, as well by journalists and humanitarian activists looking for substantive, reliable information about everyday life in a country that remains largely in the shadows.
Call Number: E-Book
Publication Date: 2019-01-22
Saffron Shadows and Salvaged Scripts by Ellen WilesThis book tells an ethnographic story of a secret literary culture that has recently emerged from its cocoon. Until 2012, Myanmar (also known as Burma) was ruled for fifty years by one of the most paranoid and repressive censorship regimes in history. The military junta enforced strict reading and writing restrictions in line with their ideology, feared writers' potential to trigger change, and did their best to keep Western books and influences out of the country. As part of an unexpected move toward democracy, the government has recently lifted the worst restrictions on reading and writing, giving rise to a new era in the country's literature and literary culture. While living in Myanmar in 2013, Ellen Wiles sought out the best of its contemporary writers and writing to begin uncovering the country's remarkable literary life and history. This book contains the experiences and recent output of nine Myanmar writers spanning three generations, featuring interviews and English-language translations of their work, along with political, legal, and artistic explorations. It includes men and women, fiction and poetry, reflecting the ripples of political and cultural change as they have moved across different groups and genres. A rare portrait of a people and place in transition, Wiles's work contributes both to the study of literature and culture in Myanmar and to the general study of art under censorship.
Call Number: E-Book
Publication Date: 2015-09-15
Myanmar by Monique Skidmore (Editor); Trevor Wilson (Editor)Despite deteriorating economic and developmental conditions, worsening environmental problems, and troubles arising from the unresolved status of its ethnic minorities, Myanmar seems no closer to a political resolution. Myanmar's economy continues to stagnate, with severe implications for its people. Low levels of international assistance have exacerbated the situation. MYANMAR: THE STATE, COMMUNITY AND THE ENVIRONMENT examines the missed opportunities by government and opposition groups to find a way out of the political impasse and improve the standard of living of the people of Myanmar. This collection provides insights into the country's economic development, in particular the vital rice-marketing sector and the attempts to expand existing industrial zones. It focuses, for the first time, on Myanmar's environmental governance with in-depth case studies, and on the increasing need for effective environmental protection and sustainability.
Smithsonian Global Sound, a streaming audio database produced in partnership with Smithsonian Folkways Recordings, is a virtual encyclopedia of the world's musical and aural traditions.
Myanmar (Burma) Music Books Available for Checkout
Burma's Pop Music Industry by Heather MacLachlanBurma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles, performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies. Heather MacLachlan is Assistant Professor of Music, University of Dayton.
Burma, Kipling and Western Music by Andrew SelthFor decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling's 1890 ballad 'Mandalay' as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers' songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West's historical relationship with Burma, and the colonial music scene, but also Burma's place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.
Call Number: ML196.S45 2017
Publication Date: 2016-11-07
Asian American E-Book Resources
Voices of the Asian American Experience by Sang Chi; Emily Moberg RobinsonThis unique work presents an extraordinary breadth of contemporary and historical views on Asian America and Pacific Islanders, conveyed through the voices of the men and women who lived these experiences over more than 150 years. In 1848, the "First Wave" of Asian immigration arrived in the United States. By the first decade of the 21st century, Asian Americans were the nation's fastest growing racial group. Through a far-ranging array of primary source documents, Voices of the Asian American and Pacific Islander Experience shares what it was like for these diverse peoples to live and work in the United States, for better and for worse. Organized chronologically by ethnicity, the book covers a panoply of ethnic groups, including recent Asian immigrants and mixed race/mixed heritage Asian Americans. There is also a topical section that showcases views on everything from politics to class to gender dynamics, underscoring that the Asian American population is not--nor has it ever been--monolithic. In choosing material, the editors strove to make the volume as comprehensive as possible. Thus, readers will discover documents written by transnational, adopted, and homosexual Asian Americans, as well as documents written from particular religious positions. More than 300 primary source documents that take readers back in history through first-hand accounts of many events central to understanding Asian American experiences Critical historical and contemporary contextualization for each document that makes the volume an ideal resource for classroom instruction A chronology of important events beginning with the first wave of Asian immigration to the United States in 1848 A bibliography of key resources for those wishing to know more
Call Number: E-Book
Publication Date: 2012-02-13
Distinguished Asian Americans by Hyung-chan KimThis is a resource of biographical profiles of noted Asian Americans, celebrating the contributions of 166 distinguished Asian Americans. The work represents more than 75 fields of endeavour, featuring both prominent and less familiar individuals.
Call Number: E-Book
Publication Date: 1999
Asian American History and Culture: an Encyclopedia by Huping Ling; Allan W. AustinWith overview essays and more than 400 A-Z entries, this exhaustive encyclopedia documents the history of Asians in America from earliest contact to the present day. Organized topically by group, with an in-depth overview essay on each group, the encyclopedia examines the myriad ethnic groups and histories that make up the Asian American population in the United States. "Asian American History and Culture" covers the political, social, and cultural history of immigrants from East Asia, Southeast Asia, South Asia, the Pacific Islands, and their descendants, as well as the social and cultural issues faced by Asian American communities, families, and individuals in contemporary society. In addition to entries on various groups and cultures, the encyclopedia also includes articles on general topics such as parenting and child rearing, assimilation and acculturation, business, education, and literature. More than 100 images round out the set.
The Resisters by Gish JenThe time: not so long from now. The place: AutoAmerica, a country surveilled by one "Aunt Nettie," a Big Brother that is part artificial intelligence, part internet, and oddly human--even funny. The people: divided. The "angelfair" Netted have jobs and, what with the country half under water, literally occupy the high ground. The Surplus live on swampland if they're lucky, on water if they're not. The story: To a Surplus couple--he once a professor, she still a lawyer--is born a girl, Gwen, with a golden arm. Her teens find her happily playing in an underground baseball league, but when AutoAmerica faces ChinRussia in the Olympics, Gwen finds herself in dangerous territory, playing ball with the Netted even as her mother battles this apartheid-like society in court. Provocative, moving, and yet paradoxically buoyant, The Resisters is the story of one family struggling to maintain their humanity in circumstances that threaten their every value.
Call Number: PS3560.E474 R47 2020
Publication Date: 2020-02-04
The Girl at the Baggage Claim by Gish JenA provocative and important study of the different ideas Easterners and Westerners have about the self and society and what this means for current debates in art, education, geopolitics, and business. Never have East and West come as close as they are today, yet we are still baffled by one another. Is our mantra "To thine own self be true"? Or do we believe we belong to something larger than ourselves--a family, a religion, a troop--that claims our first allegiance? Gish Jen--drawing on a treasure trove of stories and personal anecdotes, as well as cutting-edge research in cultural psychology--reveals how this difference shapes what we perceive and remember, what we say and do and make--how it shapes everything from our ideas about copying and talking in class to the difference between Apple and Alibaba. As engaging as it is illuminating, this is a book that stands to profoundly enrich our understanding of ourselves and of our world.
Call Number: CB251.J46 2017
Publication Date: 2017-02-28
E-Book: Voices of Angel Island, Inscriptions and Immigrant Poetry, 1910-1945
Voices of Angel Island is a historical and literary anthology of the writings of immigrants detained at Angel Island, designed to provide a conduit for readers today to connect with early-20th-century perspectives on the process of "becoming American." The Angel Island Immigration Station in San Francisco Bay has been called the "Ellis Island of the West," but its purpose was quite different. It was primarily a detention center, established in large part to discourage immigration by Asians. The station barracks contain an extraordinary archive- hundreds of poems and prose records in half a dozen languages are on the walls, inscribed by immigrant detainees between 1910 and 1940, and by POWs and "enemy aliens" during World War II. Charles Egan draws on over a decade's work deciphering the wall inscriptions by Japanese, Chinese, Korean, European, and other detainees to assemble a selection of their writings in this book, alongside literary materials from Bay Area ethnic newspapers. While each inscription tells the story of an individual, taken together they illuminate the historical, economic, and cultural forces that shaped the lives of ordinary people in the early 20th century.
Materials Available for Checkout in Our Collection
Chen Yi by Leta E. Miller; J. Michele EdwardsChen Yi is the most prominent woman among the renowned group of new wave composers who came to the US from mainland China in the early 1980s. Known for her creative output and a distinctive merging of Chinese and Western influences, Chen built a musical language that references a breathtaking range of sources and crisscrosses geographical and musical borders without eradicating them. Leta E. Miller and J. Michele Edwards provide an accessible guide to the composer's background and her more than 150 works. Extensive interviews with Chen complement in-depth analyses of selected pieces from Chen's solos for Western or Chinese instruments, chamber works, choral and vocal pieces, and compositions scored for wind ensemble, chamber orchestra, or full orchestra. The authors highlight Chen's compositional strategies, her artistic elaborations, and the voice that links her earliest and most recent music. A concluding discussion addresses questions related to Chen's music and issues such as gender, ethnicity and nationality, transnationalism, border crossing, diaspora, exoticism, and identity.
Speak It Louder: Asian Americans Making Music documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. Speak It Louder: Asian Americans Making Music encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.
Click the link above to watch this video through Films On Demand and Online Database available through the Library
Reading List for Fighting Anti-Asian Racism
The Woman Warrior by Maxine Hong Kingston"A classic, for a reason" - Celeste Ng via Twitter In her award-winning book The Woman Warrior, Maxine Hong Kingston created an entirely new form--an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.
Call Number: E-Book
Publication Date: 1989-04-23
The Color of Success by Ellen D. WuThe Color of Success tells of the astonishing transformation of Asians in the United States from the "yellow peril" to "model minorities"--peoples distinct from the white majority but lauded as well-assimilated, upwardly mobile, and exemplars of traditional family values--in the middle decades of the twentieth century. As Ellen Wu shows, liberals argued for the acceptance of these immigrant communities into the national fold, charging that the failure of America to live in accordance with its democratic ideals endangered the country's aspirations to world leadership. Weaving together myriad perspectives, Wu provides an unprecedented view of racial reform and the contradictions of national belonging in the civil rights era. She highlights the contests for power and authority within Japanese and Chinese America alongside the designs of those external to these populations, including government officials, social scientists, journalists, and others. And she demonstrates that the invention of the model minority took place in multiple arenas, such as battles over zoot suiters leaving wartime internment camps, the juvenile delinquency panic of the 1950s, Hawaii statehood, and the African American freedom movement. Together, these illuminate the impact of foreign relations on the domestic racial order and how the nation accepted Asians as legitimate citizens while continuing to perceive them as indelible outsiders. By charting the emergence of the model minority stereotype, The Color of Success reveals that this far-reaching, politically charged process continues to have profound implications for how Americans understand race, opportunity, and nationhood.
Call Number: E-Book
Publication Date: 2013-11-24
America for Americans by Erika LeeThis definitive history of American xenophobia is "essential reading for anyone who wants to build a more inclusive society." (Ibram X. Kendi, New York Times-bestselling author of How to Be an Antiracist). The United States is known as a nation of immigrants. But it is also a nation of xenophobia. In America for Americans, Erika Lee shows that an irrational fear, hatred, and hostility toward immigrants has been a defining feature of our nation from the colonial era to the Trump era. Benjamin Franklin ridiculed Germans for their "strange and foreign ways." Americans' anxiety over Irish Catholics turned xenophobia into a national political movement. Chinese immigrants were excluded, Japanese incarcerated, and Mexicans deported. Today, Americans fear Muslims, Latinos, and the so-called browning of America. Forcing us to confront this history, Lee explains how xenophobia works, why it has endured, and how it threatens America. Now updated with an afterword reflecting on how the coronavirus pandemic turbocharged xenophobia, America for Americans is an urgent spur to action for any concerned citizen.
Call Number: E184.A1 L4135 2019
Publication Date: 2019-11-26
Orientals by Robert G. LeeSooner or later every Asian American must deal with the question "Where do you come from?" It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to their foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from. The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American family -- the nation writ small. Refusing to balance positive and negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian American experience; whether they come from the Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths. Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture.
Call Number: E184.O6 L48 1999
Publication Date: 1999-03-22
Yellow by Frank H. WuIn the tradition of W. E. B. Du Bois, Cornel West, and other public intellectuals who confronted the "color line" of the twentieth century, journalist, law professor, and activist Frank H. Wu offers a unique perspective on how changing ideas of racial identity will affect race relations in the new century.Often provocative and always thoughtful, this book addresses some of the most controversial contemporary issues: discrimination, immigration, diversity, globalization, and the mixed-race movement, introducing the example of Asian Americans to shed new light on the current debates. Combining personal anecdotes, social-science research, legal cases, history, and original journalistic reporting, Wu discusses damaging Asian American stereotypes such as "the model minority" and "the perpetual foreigner." By offering new ways of thinking about race in American society, Wu's work challenges us to make good on our great democratic experiment.
Call Number: E184.O6 W84 2002
Publication Date: 2001-12-26
Asian American Dreams by Helen ZiaThis groundbreaking book traces the transformation of Asian Americans from a few small, disconnected, and largely invisible ethnic groups into a self-identified racial group that is influencing every aspect of American society. It explores the events that shocked Asian Americans into motion and shaped a new consciousness. Helen Zia, the daughter of Chinese immigrants, writes as a personal witness to the dramatic changes involving Asian Americans.
Call Number: E184.O6 Z53 2000
Publication Date: 2000-03-01
Claiming Diaspora: Music, Transnationalism, and cultural politics in Asian/Chinese America by Su ZhengClaiming Diaspora explores the thriving contemporary musical culture of Asian/Chinese America. Ranging from traditional operas to modern instrumental music, from ethnic media networks to popular music, from Asian American jazz to the work of recent avant-garde composers, author Su Zhengreveals the rich and diverse musical activities among Chinese Americans and tells of the struggles and creative searches by Chinese Americans to gain a foothold in the American cultural terrain. In doing so, she not only tells their stories, but also examines the transnational and racializedexperiences of this musical culture, challenging us to take a fresh look at the increasingly plural and complex nature of American cultural identity.Until recently, two intersected models have dominated studies of Asian American cultural expressions. The notion of "claiming America" has been a fundamental political strategy for the Asian American movement; while the Americanization model for European immigrants has minimized the impact of the"old country" on immigrant life and cultural expression. In Claiming Diaspora, Zheng critically analyzes the controversies surrounding these two models. She unveils the fluid and evolving nature of music in Chinese America, discussing current cultural struggles, while acknowledging an unavoidableconnection to a history of Asian exclusion in the U.S. Furthermore, Zheng breaks from traditional approaches which have portrayed the music of non-Western people as rooted and immobile to examine the concept of "diaspora" in the context of Asian American experiences and cultural theories of space,place, and displacement. She calls into question the contested meaning of "Asian American" and "Asian American cultural identity" in cultural productions, and builds a comprehensive picture of community and cultural transformation in Chinese and Asian America.Zheng taps unpublished historical sources of immigrant narrative songs, extensive fieldwork in New York City and China, in-depth interviews in which musicians narrate their life stories and music experiences, and her own longstanding involvement as community member, musician, presenter, andcultural broker. The book delineates the introduction of each music genre from its homeland and its subsequent development in New York, and explains how Chinese Americans express their cultural longings and belongings. Ultimately, Zheng reveals how Chinese American musical activities both reflectand contribute to local, national, and transnational cultural politics.
Call Number: ML3560.C5 Z54 2010
Publication Date: 2010-02-25
Immigrant Acts by Lisa LoweIn Immigrant Acts, Lisa Lowe argues that understanding Asian immigration to the United States is fundamental to understanding the racialized economic and political foundations of the nation. Lowe discusses the contradictions whereby Asians have been included in the workplaces and markets of the U.S. nation-state, yet, through exclusion laws and bars from citizenship, have been distanced from the terrain of national culture. Lowe argues that a national memory haunts the conception of Asian American, persisting beyond the repeal of individual laws and sustained by U.S. wars in Asia, in which the Asian is seen as the perpetual immigrant, as the "foreigner-within." In Immigrant Acts, she argues that rather than attesting to the absorption of cultural difference into the universality of the national political sphere, the Asian immigrant--at odds with the cultural, racial, and linguistic forms of the nation--displaces the temporality of assimilation. Distance from the American national culture constitutes Asian American culture as an alternative site that produces cultural forms materially and aesthetically in contradiction with the institutions of citizenship and national identity. Rather than a sign of a "failed" integration of Asians into the American cultural sphere, this critique preserves and opens up different possibilities for political practice and coalition across racial and national borders. In this uniquely interdisciplinary study, Lowe examines the historical, political, cultural, and aesthetic meanings of immigration in relation to Asian Americans. Extending the range of Asian American critique, Immigrant Acts will interest readers concerned with race and ethnicity in the United States, American cultures, immigration, and transnationalism.
Call Number: PS153.A84 L69 1996
Publication Date: 1996-10-21
Yuji Ichioka, Japanese American Historian and Civil Rights Activist
This is a collection of the last essays by Yuji Ichioka, the foremost authority on Japanese-American history, who passed away two years ago. The essays focus on Japanese Americans during the interwar years and explore issues such as the nisei (American-born generation) relationship toward Japan, Japanese-American attitudes toward Japan's prewar expansionism in Asia, and the meaning of "loyalty" in a racist society--all controversial but central issues in Japanese-American history. Ichioka draws from original sources in Japanese and English to offer an unrivaled picture of Japanese Americans in these years. Also included in this volume are an introductory essay by editor Eiichiro Azuma that places Ichioka's work in Japanese-American historiography, and a postscript by editor Chang reflecting on Ichioka's life-work.
I founded the Asian American Dance Theatre (AADT) in 1974. There were very few, if any, Asian American public dance performances in New York City at that time. For that matter, there were hardly any traditional Asian dancers actively practicing their art. There was a general misconception and exoticization of traditional Asian dance in the eyes of the public, and very little opportunity for Asian American choreographers to create or showcase their works.
The Asian American Arts Centre was founded in 1974 in New York City to address the distinctive concerns of Asian Americans in the United States.
Our mission is to promote the preservation and creative vitality of Asian American cultural growth through the arts, and its historical and aesthetic linkage to other communities. The Arts Centre accomplishes this by presenting and interpreting the ongoing synthesis of contemporary American and Asian art forms, utilizing performance, exhibition, and public education.