Culture Corner Research Guides

This beautifully illustrated volume, companion book to the exhibition of the same name, presents the first comprehensive survey of work produced by artists of Asian descent in America during the first seven decades of the twentieth century. Featuring examples across many media and extending beyond ethnicity, Asian/American/Modern Art brings into focus an underrepresented and vital group within American art. Introduced by historian Gordon H. Chang and cocurator Mark Dean Johnson, with contributions by cocurator Daniell Cornell and Karin Higa, Sharon Spain, and ShiPu Wang, the book follows the exhibition's multiethnic and multidisciplinary approach. Rather than defining an Asian American art aesthetic, Asian/American/ Modern Art highlights the stylistic tensions and artistic influences apparent in the work of major artists including Chiura Obata, Yun Gee, Ruth Asawa, Isamu Noguchi, Nam June Paik, and Carlos Villa. Two areas of emphasis, the modernist matrix of the early twentieth century and the post-World War II period wherein artists developed new approaches, support the book's recurring themes of war and peace, urban life and community. This powerful book represents a major rewriting of American art history to include a population of artists whose significant contributions to twentieth-century American art have been, until now, largely ignored.

Asian American Art: A History, 1850-1970 is the first comprehensive study of the lives and artistic production of artists of Asian ancestry active in the United States before 1970. The publication features original essays by ten leading scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists. Aside from a few artists such as Dong Kingman, Yasuo Kuniyoshi, Isamu Noguchi, and Yun Gee, artists of Asian ancestry have received inadequate historical attention, even though many of them received wide critical acclaim during their productive years. This pioneering work recovers the extraordinarily impressive artistic production of numerous Asian Americans, and offers richly informed interpretations of a long-neglected art history. To unravel the complexity of Asian American art expression and its vital place in American art, the texts consider aesthetics, the social structures of art production and criticism, and national and international historical contexts. Without a doubt, Asian American Art will profoundly influence our understanding of the history of art in America and the Asian American experience for years to come.

Meeting the challenge of teaching multiculturalism Students-and their teachers-encountering literature and arts from unfamiliar cultures will welcome the special help this book provides. Instructors who are unfamiliar with Asian Pacific cultures are now being asked to explain a reference to the Year of the Rat, Obon Season, or to interpret a haiku. When Amy Tan refers to the Moon Lady or the Kitchen God, what does she mean? Is Confucianism actually a religion? This book answers these and many other questions, for students, teachers, and the librarians to whom they turn for help. Provides sound information on in-demand topics The Companion presents lengthy articles-written specifically for this book-on the topics that unlock the work of a number of contemporary Asian Pacific American writers and artists, for example: Asian naming systems, the "model minority" discourse, Chinese diaspora, Filipino American values, the Confucian family and its tensions, Japanese internment, Mao's Great Cultural Revolution, the Korean alphabet, food and ethnic identity, religious traditions, Fengshui and Chinese medicine, Filipino folk religion, Hmong needlework, and reading Asian characters in English, just to name a few. Covers major contemporary writers The articles are coupled with in-depth studies of the authors most likely to be part of the multicultural curriculum during the next decade, among them Maxine Hong Kingston, Frank Chin, Amy Tan, Younghill Kang, Carlos Bulosan, Jessica Hagedorn, Lawson Fusao Inada, Garret Hongo, David Henry Hwang, Kim Ronyoung, and Cathy Song. Expert contributors This volume was created under the supervision of distinguished Advisory Editors from the Asian Pacific American community. The contributors, a Who's Who of Asian Pacific American humanistic scholarship, are frequently the founders of their disciplines, and most are from the ethnic group being written about. Helps students understand arts and literature Multicultural courses are generally taught by exposing students to literature or arts, with reference to their political, sociological, and historical contexts. This book is designed to help students reading novels, watching films, and confronting artworks with information needs quite different from those of social scientists and historians.

Painters, photographers, sculptors, and installation artists are among the seventy-five artists represented in this guide to Asian American artists. Within each entry, Kara Hallmark describes the artists' early life, education and training, and impact on the art world both in their country of heritage as well as the U.S. While some artists dismiss any notion of their heritage influencing their work, others describe how assimilation and immigration affected themselves and their families, particularly those affected by World War II and the Japanese internment camps. Interviews with living artists, as well as extensive images, enhance entries that celebrate the contributions of Asian American Artists to American art. Asian artists from China, Cambodia, Hawaii, Japan, Korea, the Phillipines, Taiwan and Thailand are represented in this volume: -Leo Amino -Thai Bui -Keo Bun -Kip Fulbeck -Jin Soo Kim -Maya Lin -Frank Okada -Rirkirt Tiravanija

Fresh Talk/Daring Gazes chronicles the blossoming of Asian American art and anticipates the growing democratization of American art and culture. Pairing work by twenty-four contemporary Asian American visual artists with responses provocatively drawn from cultural critics, other artists, activists, and intellectuals, this book explores themes of geographical movement, the sexuality of Asian bodies, colonization, miscegenation, hybrid forms of immigrant cultures, the loss of home, war, history, and memory. Elaine H. Kim's historical introduction charts the trajectory of Asian American art from the nineteenth century to the present, offering a comprehensive account of artists, major artworks, and major events. Commentaries by writers, artists, and cultural activists examine the work of visual artists such as Pacita Abad, Albert Chong, Y. David Chung, Allan deSouza, Michael Joo, Hung Liu, Yong Soon Min, Manuel Ocampo, PipoNguyen-Duy, Roger Shimomura, Carlos Villa, and Martin Wong. Prominent artists and critics such as Homi K. Bhabha, Luis Camnitzer, Enrique Chagoya, Gina Dent, Ellen Gallagher, Arturo Lindsay, Kobena Mercer, Griselda Pollock, Jolene Rickard, Faith Ringgold, Ella Shohat, Lowery Stokes Sims, Jaune Quick-to-See Smith, and Hulleah Tsinhnahjinnie offer thought-provoking reflections on each artist. Sharon Mizota's extended captions further elucidate the paintings, graphics, photography, installations, and mixed-media constructions under discussion. As a set of dialogues, simultaneously visual and textual, Fresh Talk/Daring Gazes encourages the cross-cultural conversation that is shaping the emerging art of Asian Americans and of the United States in general. Alternately personal, intellectual, aesthetic, and political, these essays and the art they consider provide unique perspectives on both the past and the future of American art.

Contemporary Asian American artists#150;#150;with a strong sense of being American and an acute critical consciousness of world matters#150;#150;grapple with issues of identity in a way that sets them apart from their predecessors. Whereas many Asian American artists of a previous generation directly referred to an Asian sense of self in their works, it can be argued that younger Asian American artists only sometimes make reference to it or omit it entirely. This creatively designed book focuses on recent works by seventeen Asian American artists born in the late 1960s and 1970s#150;#150;including Patty Chang, Kaz Oshiro, and Jean Shin#150;#150;to explore this pivotal generation of artists, the prevalent themes in their art, and the different ways they configure identity in their work. One Way or Another features examples of painting, sculpture, and video and installation art#150;#150;many previously unpublished#150;#150;and includes essays that discuss the shifting meaning of Asian America over the last decade and address the issues of mixed heritage and the emergence of an evolving Asian American identity in an increasingly globalized society.

Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity, queer bodies and forms, kinship and affect, and digital identities and performances. Using the verb and critical lens of "queering" to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.

Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen--its greater visibility--and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.

In Unsettled Visions, the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins of and intent behind bodies of their work. Unsettled Visions is an engrossing look at a vital art scene and a subtle account of the multiple, shifting meanings of "Asianness" in Asian American art. Analyses of the work of individual artists are grouped around three major themes that Asian American artists engaged with during the 1990s: representations of the Other; social memory and trauma; and migration, diaspora, and sense of place. Machida considers the work of the photographers Pipo Nguyen-duy and Hanh Thi Pham, the printmaker and sculptor Zarina Hashmi, and installations by the artists Tomie Arai, Ming Fay, and Yong Soon Min. She examines the work of Marlon Fuentes, whose films and photographs play with the stereotyping conventions of visual anthropology, and prints in which Allan deSouza addresses the persistence of Orientalism in American popular culture. Machida reflects on Kristine Aono's museum installations embodying the multigenerational effects of the internment of Japanese Americans during World War II and on Y. David Chung's representations of urban spaces transformed by migration in works ranging from large-scale charcoal drawings to multimedia installations and an "electronic rap opera."

War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of "optional identity," this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.

Meeting the challenge of teaching multiculturalism Students-and their teachers-encountering literature and arts from unfamiliar cultures will welcome the special help this book provides. Instructors who are unfamiliar with Asian Pacific cultures are now being asked to explain a reference to the Year of the Rat, Obon Season, or to interpret a haiku. When Amy Tan refers to the Moon Lady or the Kitchen God, what does she mean? Is Confucianism actually a religion? This book answers these and many other questions, for students, teachers, and the librarians to whom they turn for help. Provides sound information on in-demand topics The Companion presents lengthy articles-written specifically for this book-on the topics that unlock the work of a number of contemporary Asian Pacific American writers and artists, for example: Asian naming systems, the "model minority" discourse, Chinese diaspora, Filipino American values, the Confucian family and its tensions, Japanese internment, Mao's Great Cultural Revolution, the Korean alphabet, food and ethnic identity, religious traditions, Fengshui and Chinese medicine, Filipino folk religion, Hmong needlework, and reading Asian characters in English, just to name a few. Covers major contemporary writers The articles are coupled with in-depth studies of the authors most likely to be part of the multicultural curriculum during the next decade, among them Maxine Hong Kingston, Frank Chin, Amy Tan, Younghill Kang, Carlos Bulosan, Jessica Hagedorn, Lawson Fusao Inada, Garret Hongo, David Henry Hwang, Kim Ronyoung, and Cathy Song. Expert contributors This volume was created under the supervision of distinguished Advisory Editors from the Asian Pacific American community. The contributors, a Who's Who of Asian Pacific American humanistic scholarship, are frequently the founders of their disciplines, and most are from the ethnic group being written about. Helps students understand arts and literature Multicultural courses are generally taught by exposing students to literature or arts, with reference to their political, sociological, and historical contexts. This book is designed to help students reading novels, watching films, and confronting artworks with information needs quite different from those of social scientists and historians.

This book is conceived as a reader for use in American studies, Asian/American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that will be useful for faculty and students. In particular, this volume highlights-materials that receive little academic attention, such as works on Southeast Asian migrants, mixed-race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of "knowledge"-autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the contributors aspire to present a diverse sample of discourses that construct Asian/American bodies. As Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, "has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity." The contributors here attempt to address this concern by maintaining that the body serves as the primary interface between the individual and the social.

Colorism is defined as "discriminatory treatment of individuals falling within the same 'racial' group on the basis of skin color." In other words, some people, particularly women, are treated better or worse on account of the color of their skin relative to other people who share their same racial category. Colorism affects Asian Americans from many different backgrounds and who live in different parts of the United States. Is Lighter Better? discusses this often-overlooked topic. Joanne L. Rondilla and Paul Spickard ask important questions such as: What are the colorism issues that operate in Asian American communities? Are they the same issues for all Asian Americans--for women and for men, for immigrants and the American born, for Chinese, Filipinos, Koreans, Vietnamese, and other Asian Americans? Do they reflect a desire to look like White people, or is some other motive at work? Including numerous stories about and by people who have faced discrimination in their own lives, this book is an invaluable resource for people interested in colorism among Asian Americans.

This study examines the complex sources and implications of the racial attitudes of Asian Pacific American (APA) college students, who, as one of the fastest growing demographics in higher education enrollments, play an increasingly significant role in campus race relations.

The divide over race is usually framed as one over Black and White. Sociologist Eileen O'Brien is interested in that middle terrain, what sits in the ever-increasing gray area she dubbed the racial middle. The Racial Middle, tells the story of the other racial and ethnic groups in America, mainly Latinos and Asian Americans, two of the largest and fastest-growing minorities in the United States. Using dozens of in-depth interviews with people of various ethnic and generational backgrounds, Eileen O'Brien challenges the notion that, to fit into American culture, the only options available to Latinos and Asian Americans are either to become white or to become brown. Instead, she offers a wholly unique analysis of Latinos and Asian Americans own distinctive experiences--those that aren't typically White nor Black. Though living alongside Whites and Blacks certainly frames some of their own identities and interpretations of race, O'Brien keenly observes that these groups struggles with discrimination, their perceived isolation from members of other races, and even how they define racial justice, are all significant realities that inform their daily lives and, importantly, influence their opportunities for advancement in society. A refreshing and lively approach to understanding race and ethnicity in the twenty-first century, The Racial Middle gives voice to Latinos and Asian-Americans place in this country's increasingly complex racial mosaic.

This book is conceived as a reader for use in American studies, Asian American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that would be useful for faculty and students. In particular, this volume highlights materials that receive little academic attention such as works on Southeast Asian migrants, mixed race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of 'knowledge'_autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the authors aspire to present a diverse sample of discourses that construct Asian/American bodies. They maintain that the body serves as the primary interface between the individual and the social, yet, as Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, 'has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity.' This volume attempts to address this concern.

Colorism is defined as "discriminatory treatment of individuals falling within the same 'racial' group on the basis of skin color." In other words, some people, particularly women, are treated better or worse on account of the color of their skin relative to other people who share their same racial category. Colorism affects Asian Americans from many different backgrounds and who live in different parts of the United States. Is Lighter Better? discusses this often-overlooked topic. Joanne L. Rondilla and Paul Spickard ask important questions such as: What are the colorism issues that operate in Asian American communities? Are they the same issues for all Asian Americans--for women and for men, for immigrants and the American born, for Chinese, Filipinos, Koreans, Vietnamese, and other Asian Americans? Do they reflect a desire to look like White people, or is some other motive at work? Including numerous stories about and by people who have faced discrimination in their own lives, this book is an invaluable resource for people interested in colorism among Asian Americans.

This study examines the complex sources and implications of the racial attitudes of Asian Pacific American (APA) college students, who, as one of the fastest growing demographics in higher education enrollments, play an increasingly significant role in campus race relations.

The divide over race is usually framed as one over Black and White. Sociologist Eileen O'Brien is interested in that middle terrain, what sits in the ever-increasing gray area she dubbed the racial middle. The Racial Middle, tells the story of the other racial and ethnic groups in America, mainly Latinos and Asian Americans, two of the largest and fastest-growing minorities in the United States. Using dozens of in-depth interviews with people of various ethnic and generational backgrounds, Eileen O'Brien challenges the notion that, to fit into American culture, the only options available to Latinos and Asian Americans are either to become white or to become brown. Instead, she offers a wholly unique analysis of Latinos and Asian Americans own distinctive experiences--those that aren't typically White nor Black. Though living alongside Whites and Blacks certainly frames some of their own identities and interpretations of race, O'Brien keenly observes that these groups struggles with discrimination, their perceived isolation from members of other races, and even how they define racial justice, are all significant realities that inform their daily lives and, importantly, influence their opportunities for advancement in society. A refreshing and lively approach to understanding race and ethnicity in the twenty-first century, The Racial Middle gives voice to Latinos and Asian-Americans place in this country's increasingly complex racial mosaic.

The presence of Asian immigrants and citizens has a long history in the United States. This book provides insights into the diverse experience of these children and their families from their first appearance here to the present. Essays review topics such as identity, family structures, labor, gender, and class. Selected primary documents review topics such as racial quotas, biculturalism, and refugees. This is the first work to cover the historical and the contemporary experience of these children from a multiplicity of views, using essays and documents. Beginning c. 1850, this work relates the experiences and context in which diverse groups of Asian American children lived their lives. The voices of children, included in the primary documents, provide a vivid narrative of immigrant life over the past 150 years. While the lives of children were generally included in historical narratives of the country, a focus specifically on children allows the reader to more fully understand the central place of family in the economic and social development of a nation.

From the early 1900s, liberal Protestants grafted social welfare work onto spiritual concerns on both sides of the Pacific. Their goal: to forge links between whites and Asians that countered anti-Asian discrimination in the United States. Their test: uprooting racial hatreds that, despite their efforts, led to the shameful incarceration of Japanese Americans in World War II. Sarah M. Griffith draws on the experiences of liberal Protestants, and the Young Men's Christian Association in particular, to reveal the intellectual, social, and political forces that powered this movement. Engaging a wealth of unexplored primary and secondary sources, Griffith explores how YMCA leaders and their partners in the academy and distinct Asian American communities labored to mitigate racism. The alliance's early work, based in mainstream ideas of assimilation and integration, ran aground on the Japanese exclusion law of 1924. Yet their vision of Christian internationalism and interracial cooperation maintained through the World War II internment trauma. As Griffith shows, liberal Protestants emerged from that dark time with a reenergized campaign to reshape Asian-white relations in the postwar era.

This collection of essays interrogates literary and cultural narratives in the contexts of the incidents following 9/11. The collected essays underscore the new and (re)emerging racial, political, and socio-cultural discourse on identity related to terrorism and identity politics. Specifically, the collection examines South Asian American identities to understand culture, policy making, and the implicit gendered racialization, sexualization, and socio-economic classification of minority identities within the discourse of globalization. The essays included here relocate the discourse of race and cultural studies to an examination of transnational labor diasporas, reopen debate on critical constructions of U.S. racial and cultural formations, and question the reconfiguration of gendered and sexualized discourses of the South Asian diaspora within the context of national security and terrorism. This book provides a multifaceted account of South Asian racialization and belonging by drawing from disciplines across the humanities and the social sciences. The scholars included here employ methods of ethnographic studies as well as literary, culture, film, and feminist analysis to examine a wide range of South Asian cultural sites: novels, short stories, cultural texts, documentaries, and sports. The rich intellectual, theoretical, methodological, and narrative tapestry of South Asians that emerges from this inquiry enables us to trace new patterns of South Asian cultural consumption post-9/11 as well as expand notions and histories of "terror." This volume makes an important contribution to renewing scholarship in the key areas of representations of race, labor, diaspora, class, and culture while implicating that there needs to be a simultaneous and critical dialogue on the scope and reconnections within postcolonial studies.

This volume presents global perspectives on Asian American literature by accomplished scholars from Germany, Japan, Singapore, Spain, and the US. It covers a diverse range of interdisciplinary topics in contemporary Asian American Studies across a wide spectrum of ethnic groups: Burmese, Chinese, Filipino, Indian, Japanese, Korean, Malaysian, Pakistani, Sri Lankan, and Vietnamese. Section I probes themes such as the vital role that war plays in the production of Asian American literary works, and the agency of the self in the life writings of Asian American autobiographers. Section II examines the confines of binary oppositions of gender, as well as issues of pan-ethnicity and gender relations. Section III explores the role that performance, film, and language play in the definition of self-identity and in ethnic empowerment. Five intrinsically connected themes run through all sections: gender roles; stereotyping; identity politics; intersections of literature, history, family, and the self; and the impact of wars on Asian American culture and literature. The chapters illuminate each other by discussing ideas and issues that are the enlargements of other, related themes and topics.Key Features* Global perspectives on the literary texts* Interdisciplinary approach to the subject* Contributors' expertise* Up-to-date coverage

This reference guide to Asian writers covers authors whose works have been translated into the English language. Each author entry includes full biographical information, as well as excerpts from literary criticism and sources for further study. Authors covered include David Henry Hwang, Amy Tan, Lady Murasaki, Ts'ao Chan, Yasunari Kawabata and Kenzaburo Oe. The text concentrates on contemporary authors, but also includes many who have historical importance. Author portraits are included, as well as an introductory essay on developments and trends in Asian and Anglo-American literature and a map of East Asia.

Even though Asian American literature is enjoying an impressive critical popularity, attention has focused primarily on longer narrative forms such as the novel. And despite the proliferation of a large number of poets of Asian descent in the 20th century, Asian American poetry remains a neglected area of study. Poetry as an elite genre has not reached the level of popularity of the novel or short story, partly due to the difficulties of reading and interpreting poetic texts. The lack of criticism on Asian American poetry speaks to the urgent need for scholarship in this area, since perhaps more than any other genre, poetry most forcefully captures the intense feelings and emotions that Asian Americans have experienced about themselves and their world. This reference book overviews the tremendous cultural contributions of Asian American poets. Included are alphabetically arranged entries on 48 American poets of Asian descent, most of whom have been active during the latter half of the 20th century. Each entry begins with a short biography, which sometimes includes information drawn from personal interviews. The entries then discuss the poet's major works and themes, including such concerns as family, racism, sexism, identity, language, and politics. A survey of the poet's critical reception follows. In many cases the existing criticism is scant, and the entries offer new readings of neglected works. The entries conclude with bibliographies of primary and secondary texts, and the volume closes with a selected, general bibliography.

Asian America has produced numerous short-story writers in the 20th century. Some emerged after World War II, yet most of these writers have flourished since 1980. The first reference of its kind, this volume includes alphabetically arranged entries for 49 nationally and internationally acclaimed Asian American writers of short fiction. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a survey of the writer's critical reception, and primary and secondary bibliographies. Writers include Frank Chin, Sui Sin Far, Shirely Geok-lin Lim, Toshio Mori, and Bharati Mukherjee. An introductory essay provides a close examination of the Asian American short story, and the volume closes with a list of works for further reading.

An award-winning writer takes a groundbreaking look at the experience and psyche of the Asian American male.　　 Alex Tizon landed in an America that saw Asian women as sexy and Asian men as sexless. Immigrating from the Philippines as a young boy, everything he saw and heard taught him to be ashamed of his face, his skin color, his height.　His fierce and funny observations of sex and the Asian American male include his own quest for love during college in the 1980s, a tortured tutorial on stereotypes that still make it hard for Asian men to get the girl. Tizon writes: "I had to educate myself on my own worth. It was a sloppy, piecemeal education, but I had to do it because no one else was going to do it for me."　And then, a transformation. First, Tizon’s growing understanding that shame is universal: that his own just happened to be about race. Next, seismic cultural changes – from Jerry Yang’s phenomenal success with Yahoo! Inc., to actor Ken Watanabe’s emergence in Hollywood blockbusters, to Jeremy Lin’s meteoric NBA rise. Finally, Tizon’s deeply original, taboo-bending investigation turns outward, tracking the unheard stories of young Asian men today, in a landscape still complex but much changed for the Asian American man.　

Asian American men represent a complex group with distinct psychological and mental health concerns, yet the current counseling literature is lacking in resources for clinicians working with this population.  The purpose of this text is to provide practitioners with a comprehensive overview of the current research and theory related to the important and unique issues that Asian American men experience.  It offers clinicians culturally-responsive, practical counseling techniques and strategies to help inform them on how to work effectively with this group.  Chapters are written by leading figures in the field and explore such topics as intergenerational conflict, racism, challenges associated with masculinity and fatherhood, sexual orientation identity development, substance abuse, and career counseling.  Numerous clinical vignettes and case conceptualizations are included to assist clinicians who work with Asian American men and to demonstrate appropriate treatment responses.

East Meets Black examines the making and remaking of race and masculinity through the racialization of Asian and black men, confronting this important white stratagem to secure class and racial privilege, wealth, and status in the post-civil rights era. Indeed Asian and black men in neoliberal America are cast by white supremacy as oppositional. Through this opposition in the US racial hierarchy, Chong Chon-Smith argues that Asian and black men are positioned along binaries brain/body, diligent/lazy, nerd/criminal, culture/ genetics, student/convict, and technocrat/athlete--in what he terms "racial magnetism." Via this concept, East Meets Black traces the national conversations that oppose black and Asian masculinities, but also the Afro-Asian counterpoints in literature, film, popular sport, hip-hop music, performance arts, and internet subcultures. Chon-Smith highlights the spectacle and performance of baseball players such as Ichiro Suzuki within global multiculturalism and the racially coded controversy between Yao Ming and Shaquille O'Neal in transnational basketball. Further, he assesses the prominence of martial arts buddy films such as Romeo Must Die and Rush Hour that produce Afro-Asian solidarity in mainstream Hollywood cinema. Finally, Chon-Smith explores how the Afro-Asian cultural fusions in hip-hop open up possibilities for the creation of alternative subcultures, to disrupt myths of black pathology and the Asian model minority. In this first interdisciplinary book on Asian and black masculinities in literature and popular culture, Chon-Smith explores the inspiring, contradictory, hostile, resonant, and unarticulated ways in which the formation of Asian and black racial masculinity has affected contemporary America.

Asian American men represent a complex group with distinct psychological and mental health concerns, yet the current counseling literature is lacking in resources for clinicians working with this population.  The purpose of this text is to provide practitioners with a comprehensive overview of the current research and theory related to the important and unique issues that Asian American men experience.  It offers clinicians culturally-responsive, practical counseling techniques and strategies to help inform them on how to work effectively with this group.  Chapters are written by leading figures in the field and explore such topics as intergenerational conflict, racism, challenges associated with masculinity and fatherhood, sexual orientation identity development, substance abuse, and career counseling.  Numerous clinical vignettes and case conceptualizations are included to assist clinicians who work with Asian American men and to demonstrate appropriate treatment responses.

South Asian American men are not usually depicted as ideal American men. They struggle against popular representations as either threatening terrorists or geeky, effeminate computer geniuses. To combat such stereotypes, some use sports as a means of performing a distinctly American masculinity. Desi Hoop Dreams focuses on South Asian-only basketball leagues common in most major U.S. and Canadian cities, to show that basketball, for these South Asian American players is not simply a whimsical hobby, but a means to navigate and express their identities in 21st century America. The participation of young men in basketball is one platform among many for performing South Asian American identity. South Asian-only leagues and tournaments become spaces in which to negotiate the relationships between masculinity, race, and nation. When faced with stereotypes that portray them as effeminate, players perform sporting feats on the court to represent themselves as athletic. And though they draw on black cultural styles, they carefully set themselves off from African American players, who are deemed "too aggressive." Accordingly, the same categories of their own marginalization--masculinity, race, class, and sexuality--are those through which South Asian American men exclude women, queer masculinities, and working-class masculinities, along with other racialized masculinities, in their effort to lay claim to cultural citizenship. One of the first works on masculinity formation and sport participation in South Asian American communities, Desi Hoop Dreams focuses on an American popular sport to analyze the dilemma of belonging within South Asian America in particular and in the U.S. in general.

East Meets Black examines the making and remaking of race and masculinity through the racialization of Asian and black men, confronting this important white stratagem to secure class and racial privilege, wealth, and status in the post-civil rights era. Indeed Asian and black men in neoliberal America are cast by white supremacy as oppositional. Through this opposition in the US racial hierarchy, Chong Chon-Smith argues that Asian and black men are positioned along binaries brain/body, diligent/lazy, nerd/criminal, culture/ genetics, student/convict, and technocrat/athlete--in what he terms "racial magnetism." Via this concept, East Meets Black traces the national conversations that oppose black and Asian masculinities, but also the Afro-Asian counterpoints in literature, film, popular sport, hip-hop music, performance arts, and internet subcultures. Chon-Smith highlights the spectacle and performance of baseball players such as Ichiro Suzuki within global multiculturalism and the racially coded controversy between Yao Ming and Shaquille O'Neal in transnational basketball. Further, he assesses the prominence of martial arts buddy films such as Romeo Must Die and Rush Hour that produce Afro-Asian solidarity in mainstream Hollywood cinema. Finally, Chon-Smith explores how the Afro-Asian cultural fusions in hip-hop open up possibilities for the creation of alternative subcultures, to disrupt myths of black pathology and the Asian model minority. In this first interdisciplinary book on Asian and black masculinities in literature and popular culture, Chon-Smith explores the inspiring, contradictory, hostile, resonant, and unarticulated ways in which the formation of Asian and black racial masculinity has affected contemporary America.

Straightjacket Sexualities is the first full-length study of the racialization of Asian American men in Hollywood and independent films from 1959-2009. It argues that the attribution of asexual, effeminate, and queer labels--indicating what these men lack--inadequately captures how Asian American men both wield power and experience its disciplining force.

This film tells the fascinating story of a pioneering American entertainer Jack Soo, an Oakland native who became the first Asian American to be cast in the lead role in a regular television series Valentine's Day (1963), and later starred in the popular comedy show Barney Miller (1975-1978). Featuring rare footage and interviews with Soo's co-stars and friends, including actors George Takei, Nancy Kwan and Max Gail, comedians Steve Landesberg and Gary Austin, and producer Hal Kanter, the film traces Jack's early beginnings as a nightclub singer and comedian, to his breakthrough role as Sammy Fong in Rogers and Hammerstein's Broadway play and film version of The Flower Drum Song. The film also explores why Soo, a former internee who was actually born Goro Suzuki, was forced to change his name in the post WWII era, in order to perform in clubs in the mid-west. Because of his experiences, throughout his career in films and television, Soo refused to play roles that were demeaning to Asian Americans and often spoke out against negative ethnic portrayals. Directed by Jeff Adachi, whose award-winning film "The Slanted Screen" premiered at SFIAAFF in 2006, this film reveals how Jack Soo's work laid the groundwork for a new generation of Asian American actors and comedians.

A groundbreaking anthology devoted to Asian/Pacific Islander American women and their experiences Asian/Pacific Islander American Women is the first collection devoted to the historical study of A/PI women's diverse experiences in America. Covering a broad terrain from pre-large scale Asian emigration and Hawaii in its pre-Western contact period to the continental United States, the Philippines, and Guam at the end of the twentieth century, the text views women as historical subjects actively negotiating complex hierarchies of power. The volume presents new findings about a range of groups, including recent immigrants to the U.S. and understudied communities. Comprised of original new work, it includes chapters on women who are Cambodian, Chamorro, Chinese, Filipino, Hmong, Japanese, Korean, Native Hawaiian, South Asian, and Vietnamese Americans. It addresses a wide range of women's experiences-as immigrants, military brides, refugees, American born, lesbians, workers, mothers, beauty contestants, and community activists. There are also pieces on historiography and methodology, and bibliographic and video documentary resources. This groundbreaking anthology is an important addition to the scholarship in Asian/Pacific American studies, ethnic studies, American studies, women's studies, and U.S. history, and is a valuable resource for scholars and students.

Asian American Sexual Politics explores the topics of beauty, self-esteem, and sexual attraction among Asian Americans. The book draws on sixty in-depth interviews to show how constructions of Asian American gender and sexuality tend to reinforce the social and political dominance for whites, particularly white males, even in the supposed "post-racial" United States. Drawing on established scholarship on the intersection of race, gender, and sexuality, Asian American Sexual Politics shows how power dynamics shape the lives of young Asian Americans today. Asian American women are often constructed as hyper-sexual docile bodies, while Asian American men are often racially "castrated." The book's interview excerpts show the range of frames through which Asian Americans approach the world, as well as the counter-frames they construct. In the final chapter, author Rosalind S. Chou offers strategies for countering racialized and sexualized oppression. This provocative book shows how persistent racism affects Asian American body image, self-esteem, and intimate relationships.

'Groundbreaking....Dragon Ladies explores the emergence of a distinct Asian American feminist movement through the rich perspectives of well-known Asian American activists, writers, and artists who analyze personal experiences through a political lens.' Ms. MagazineThis book showcases the growing politicization of Asian American women and their emerging feminist movement. These prominent writers, artists, and activists draw on a wealth of personal experience and political analysis to address issues of immigration, work, health, domestic violence, sexuality, and the media. In doing so, they seize the power of their unique political perspectives and cultural backgrounds to transform the landscape of race, class, and gender in the United States.

What would it be like to grow up with your grandmother behind a camera, a camera that was directed at you? With penetrating wit and an eye for telling detail, Karen Shepard captures the reunion of an autocratic French-Chinese photographer, Celine Arnaux, with her emotionally and culturally displaced Asian-American daughter and granddaughter. The story returns the women to a family cabin in Virginia, where Celine photographed her granddaughter Cameron for a famous series of child portraits. Squeezed between grandmother and granddaughter is Cam's unlucky mother, Sumin.Into their sealed world come two outsiders: a journalist who is writing a feature about Celine; and Alice, a poised and appealing six-year-old mainland Chinese girl temporarily entrusted to Cam. To each of the adults, Alice represents a fresh chance, a chance to be less self-centered than they had been in the past. But deciding Alice's future also releases a subsurface ruthlessness that has characterized the family's history since the Cultural Revolution and forces the exposure of a long-guarded secret.An entrancing tale of custody, artistic creation, and the ferocity with which we sometimes sacrifice loved ones to gain our own ends. An Empire of Women introduces a striking talent.

Integrating ethnic identity with American mainstream culture is a complex task, and in Leaving Deep Water, Claire Chow deftly explores the many ways that women of Asian descent have created a place for themselves in modern society. Drawing on the personal narratives of dozens of women from China, Japan, Korea, the Philippines, Vietnam, and other Asian countries, Chow explores such common themes as coming of age, parental expectations, marriage and divorce, career experiences, family relationships, and aging.These intimate reflections are deeply moving, the voices unique, and the stories eye-opening, bringing a new perspective to the multicultural experience. Leaving Deep Water offers guidance, inspiration, and a shared sense of struggle while breaking down myths and celebrating the human ability to craft a new identity in a new place.

This is not your typical Asian instructional book on Asian crafting or origami. Making Paper Cranes is an attempt to describe an ever emerging life, in an emerging community within Christianity in North America, that is intentionally taking flight and impacting the world. This theological book engages the social histories, literary texts, and narratives of Asian American women, as well as the theological projects of prominent Asian American feminist theologians. It seeks to offer another liberative theological voice. Inherent in its construction is the interconnectedness of all stories that articulate struggle, resistance, and the artistic flourishing of oppressed peoples. Simply put, Making Paper Cranes is about Asian American mothers, daughters, sisters, and women who are imaginatively and courageously crafting their journeys together in and through their Christian faith.

In these four new plays, renowned playwright Philip Kan Gotanda explores the choices and challenges Japanese American women face. Although set in different decades of the twentieth century, the playsare all absolutely modern in the human struggles they depict. "Sisters Matsumoto" tells of three Japanese American sisters who return to their family farm in Stockton, California, after living in an internment camp during World War II. "The Wind Cries Mary" is a gripping drama set in the tumultuous heyday of social upheaval that was San Francisco in 1968, when California's Asian American intellectuals were first finding a political voice. "Ballad of Yachiyo," set in 1919 in Hawai'i, is a moving story of a girl's coming to sexual maturity after being sent from home to work for an alcoholic artisan and his wife.

This work explores the relationships that American Asian women form with each other. Contributors address the sociocultural, political, historical and familial contexts that contribute to the development of these relationships.

Asian American Sexual Politics explores the topics of beauty, self-esteem, and sexual attraction among Asian Americans. The book draws on sixty in-depth interviews to show how constructions of Asian American gender and sexuality tend to reinforce the social and political dominance for whites, particularly white males, even in the supposed "post-racial" United States. Drawing on established scholarship on the intersection of race, gender, and sexuality, Asian American Sexual Politics shows how power dynamics shape the lives of young Asian Americans today. Asian American women are often constructed as hyper-sexual docile bodies, while Asian American men are often racially "castrated." The book's interview excerpts show the range of frames through which Asian Americans approach the world, as well as the counter-frames they construct. In the final chapter, author Rosalind S. Chou offers strategies for countering racialized and sexualized oppression. This provocative book shows how persistent racism affects Asian American body image, self-esteem, and intimate relationships.

Popular genre fiction written by Asian American women and featuring Asian American characters gained a market presence in the late twentieth and early twenty-first centuries. These "crossover" books--mother-daughter narratives, chick lit, detective fiction, and food writing--attempt to bridge ethnic audiences and a broader reading public. In Asian American Women's Popular Literature, Pamela Thoma considers how these books both depict contemporary American-ness and contribute critically to public dialogue about national belonging. Novels such as Michelle Yu and Blossom Kan's China Dolls and Sonia Singh's Goddess for Hire, or mysteries including Sujata Massey's Girl in a Box and Suki Kim's The Interpreter, reveal Asian American women's ambivalence about the trappings and prescriptions of mainstream American society. Thoma shows how these writers' works address the various pressures on women to manage their roles in relation to family and finances--reconciling the demands of work, consumer culture, and motherhood--in a neoliberal society.A volume in the American Literatures Initiative.

When South Asians immigrated to the United States in great numbers in the 1970s, they were passionately driven to achieve economic stability and socialize the next generation to retain the traditions of their home culture. During these years, the immigrant community went to great lengths to project an impeccable public image by denying the existence of social problems such as domestic violence, sexual assault, child sexual abuse, mental illness, racism, and intergenerational conflict. It was not until recently that activist groups have worked to bring these issues out into the open. In Body Evidence, more than twenty scholars and public health professionals uncover the unique challenges faced by victims of violence in intimate spaces . . . within families, communities and trusted relationships in South Asian American communities. Topics include cultural obsession with women's chastity and virginity; the continued silence surrounding intimate violence among women who identify themselves as lesbian, bisexual, or transgender; the consequences of refusing marriage proposals or failing to meet dowry demands; and, ultimately, the ways in which the United States courts often confuse and exacerbate the plights of these women.

Desi Divas: Political Activism in South Asian American Cultural Performances is the product of five years of field research with progressive activists associated with the School for Indian Languages and Cultures (SILC), South Asian Americans Leading Together (SAALT), the feminist dance collective Post Natyam, and the grassroots feminist political organization South Asian Sisters. Christine L. Garlough explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities. Within this framework she examines how these performance activists advocate a political commitment to both justice and care, to both deliberative discussion and deeper understanding. To consider how this might happen in diasporic performance contexts, Garlough weaves together two lines of thinking. One grows from feminist theory and draws upon a core literature concerning the ethics of care. The other comes from rhetoric, philosophy, and political science literature on recognition and acknowledgment. This dual approach is used to reflect upon South Asian American women's performances that address pressing social problems related to gender inequality, immigration rights, ethnic stereotyping, hate crimes, and religious violence. Case study chapters address the relatively unknown history of South Asian American rhetorical performances from the early 1800s to the present. Avant-garde feminist performances by the Post Natyam dance collective appropriate women's folk practices and Hindu goddess figures make rhetorical claims about hate crimes against South Asian Americans after 9/11. In Yoni ki Bat (a South Asian American version of The Vagina Monologues) a progressive performer transforms aspects of the Mahabharata narrative to address issues of sexual violence, such as incest and rape. Throughout the volume, Garlough argues that these performers rely on calls for acknowledgment that intertwine calls for justice and care. That is, they embed their testimony in traditional cultural forms to invite interest, reflection, and connection.

Using a systematic approach, the Cultural Health and Screening Mammography Belief Scale (CHSMBS) was developed to investigate why Asian women have lower rates of screening mammography utilization and how to improve their use of screening mammography. This case study describes the four stages involved in the CHSMBS scale development and discusses the lessons learned in the process. Although the development of a scale in a cultural context is complicated, the step-by-step instruction outlined in this case study provides junior researchers with a framework to develop their own scale.

This powerful study reconceptualizes ideas of ethnic literature while investigating the construction of ethnic heroines, shifting the focus away from cultural politics and considering instead narrative or poetic qualities which involve surprising relationships between Anglo-American women's writing and fiction produced by Asian American and African American women authors.

An innovative anthology showcasing Asian American and Pacific Islander women's histories Our Voices, Our Histories brings together thirty-five Asian American and Pacific Islander authors in a single volume to explore the historical experiences, perspectives, and actions of Asian American and Pacific Islander women in the United States and beyond. This volume is unique in exploring Asian American and Pacific Islander women's lives along local, transnational, and global dimensions. The contributions present new research on diverse aspects of Asian American and Pacific Islander women's history, from the politics of language, to the role of food, to experiences as adoptees, mixed race, and second generation, while acknowledging shared experiences as women of color in the United States. Our Voices, Our Histories showcases how new approaches in US history, Asian American and Pacific Islander studies, and Women's and Gender studies inform research on Asian American and Pacific Islander women. Attending to the collective voices of the women themselves, the volume seeks to transform current understandings of Asian American and Pacific Islander women's histories.

Spending the summer at her grandmother's house is the last thing Sarah wants to doand—especially now that Grandma Winnie has diedand—but she has no choice. Her parents have to fix the place up before they can sell it, and Sarah and her brother, Billy, have to help. But the tedious work turns into a thrilling mystery when Sarah discovers an unfinished letter her grandmother wrote:and Strange things are happening behind the bookcase. . . .and Sarah's mother dismisses the letter as one of Grandma Winnie's crazy stories, but Sarah does some investigating and makes a remarkable discovery: behind the bookcase is a doorway into Scotopia, the land where shadows come from. With a talking cat named Balthazat as her guide, Sarah begins an unforgettable adventure into a world filled with countless dangers. Who can she trust? And can she face her fears, not only in Scotopia, but also back at Grandma Winnie's house, where more secrets and strange goings-on await her?

No less than other minorities, Asian women scholars are confronted with racial discrimination and stereotyping as well as disrespect for their research, teaching, and leadership, and are underrepresented in academia. In the face of such barriers, many Asian female scholars have developed strategies to survive and thrive. This book is among the first to examine their lived experience in Western academic discourses. It addresses the socio-cultural, political, academic, and personal issues that Asian female scholars encounter in higher education. The contributors to this book include first- and second-generation immigrants who are teachers and researchers in higher education and who come from a wide range of Asian nations and backgrounds. They here combine new research and personal narratives to explore the intersecting layers of relationships that impact their lives--language, culture, academic discourses, gender, class, generation, and race. The book is replete with the richness and complexity of these scholars' struggles and triumphs in their professional and personal realms. This powerful and engaging volume: * Examines and celebrates the struggles and triumphs that Asian female scholars experience as they try to "make it" in academic environments that may differ sharply from the culture of their countries of origin; * Highlights the unique contributions the authors have made to research, theory, and the profession; * Establishes the authors' claim to visibility and a voice for themselves and more generally for Asian women in the academy; * Opens a dialogue on these critical issues by sharing the academic and personal experiences of senior and junior scholars alike; and * Contributes to the on-going discussion on issues pertinent to the status of minority female scholars in higher education.

"Tell This Silence" by Patti Duncan explores multiple meanings of speech and silence in Asian American women's writings in order to explore relationships among race, gender, sexuality, and national identity. Duncan argues that contemporary definitions of U.S. feminism must be expanded to recognize the ways in which Asian American women have resisted and continue to challenge the various forms of oppression in their lives. There has not yet been adequate discussion of the multiple meanings of silence and speech, especially in relation to activism and social-justice movements in the U.S. In particular, the very notion of silence continues to invoke assumptions of passivity, submissiveness, and avoidance, while speech is equated with action and empowerment. However, as the writers discussed in "Tell This Silence" suggest, silence too has multiple meanings especially in contexts like the U.S., where speech has never been a guaranteed right for all citizens. Duncan argues that writers such as Maxine Hong Kingston, Mitsuye Yamada, Joy Kogawa, Theresa Hak Kyung Cha, Nora Okja Keller, and Anchee Min deploy silence as a means of resistance. Juxtaposing their OC unofficial narrativesOCO against other historiesOCoofficial U.S. histories that have excluded them and American feminist narratives that have stereotyped them or distorted their participationOCothey argue for recognition of their cultural participation and offer analyses of the intersections among gender, race, nation, and sexuality. "Tell This Silence" offers innovative ways to consider Asian American gender politics, feminism, and issues of immigration and language. This exciting new study will be of interest to literary theorists and scholars in women's, American, and Asian American studies."

This book offers captivating insights into the interaction between the Indian and the American cultural worlds. A fascinating work of research, it illustrates an extraordinary capacity to employ the details of literary texts as significant clues in understanding the configuration of transcultural identities.

Presents six outstanding works by Asian-American women playwrights, written in the past 20 years. Each play addresses the experiences of Asian-Americans in the United States, repudiating cultural and sexual stereotypes.

Pursuing the moving target of Asian-American female identity, filmmaker Grace Lee, in a clever, highly unscientific investigation visits with Asian American women named "Grace Lee," from a fiery social activist to a rebel who tried to burn down her high school. With wit and charm, the film puts a hilarious spin on the eternal question "What's in a name?"

A filmmaker explores the life of her great-aunt, Jane Chung, an actress who made a career for herself at a time when Asian-Americans faced widespread racism in Hollywood. Working mostly in small parts and as an extra, Jane's fifty-year career reflects many of the struggles and triumphs of the Asian-Americans working in the entertainment industry. Jane had parts in over fifty films and TV shows including Chinatown, When Harry Met Sally, M*A*S*H and I Love Lucy, but much of her work is uncredited. The filmmaker's journey to uncover Jane's many film and TV roles brings together voices from multiple generations of her family, as she seeks out those who remember Jane best. Through the story of Jane Chung's life and career, More Than a Face in the Crowd reveals a larger untold story of Asian-American actors and extras in Hollywood.

How are ideals of beauty influenced by race, history, and geopolitics? With a rich selection of film clips and archival footage, Never Perfect examines the dramatic rise in popularity of cosmetic surgery among Asian-American women.

Describes racial and gender stereotyping of Asian women in U.S. motion pictures as well as other filmic media, with "Reloaded" updating the original documentary by noting the effects of globalization and a changing population within the past 25 years. Includes interviews with actresses and other Asian American women who describe their experiences of such stereotyping.

Author Min Jin Lee is the ultimate career-changer, a corporate lawyer who quit to write full-time. Hear how she made the move, persisted amid rejection and became a best-selling novelist.

"In this hilarious and whip-smart performance, Kristina takes a surprisingly raucous approach to addressing the high rates of depression and suicide among Asian American Women -- she tries to single-handedly save them all with her show! She fails fantastically at the task, creating the hysterical laughter that descends into a sobering coda."--Container.